Highlights
- Molly Ringwald reflected on her iconic work with John Hughes.
- Despite her repute and success, Ringwald now has complicated and condemning feelings about Hughes' films.
- While Ringwald is important of some of her past paintings, she nonetheless values her time as a young person actress within the '80s.
Molly Ringwald, a liked member of the Brat Pack, was once one of the vital well-known youngsters in Hollywood all through the 1980s. She starred in classic movies similar to The Breakfast Club. Three of her iconic, early movies were produced, directed, or written through comedy legend John Hughes.
Ringwald was once young and on the peak of the arena when she was a household title to a whole era. In more moderen years, on the other hand, Ringwald has revisited her collaborations with Hughes. While those motion pictures made her well-known, they've left her with advanced and condemning feelings. In this article, we can speak about Ringwald's brutally honest opinions on Hughes and his paintings, her teenage appearing career with Hughes, and what her legacy is.
What Has Molly Ringwald Said About Collaborator John Hughes?
John Hughes, who was behind films reminiscent of Ferris Bueller's Day Off, The Breakfast Club, Planes, Trains, and Automobiles, and such a lot of extra timeless comedies, was once a formidable force in Hollywood within the Nineteen Eighties. He made hit film after hit film. Hughes's work become a pop culture phenomenon and shaped a era of teens and teenagers.
Known for continuously participating with the similar actors and actresses, Hughes took a selected passion in a teenaged Molly Ringwald. After working on Sixteen Candles together, Hughes became virtually fixated on her, in step with Showbiz CheatSheet. He would even write motion pictures in particular for her to star in. The feelings had been mutual.
According to Ringwald, "I had a mad crush on him. Without a doubt, it's pretty heady stuff to have somebody who is so inspired by you that they are writing movies (for you), and studios are doing them."
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Hughes and Ringwald as soon as had an simple bond. According to Showbiz CheatSheet, "Ringwald became Hughes' muse." Hughes and Ringwald made three motion pictures together until Ringwald determined to section techniques in 1986. These include:
- Sixteen Candles
- The Breakfast Club
- Pretty In Pink
The actress credited the desire to conform professionally and for my part as the reason for not working with Hughes again.
In a 2009 People interview, Ringwald elaborated, "John saw something in me that I didn't even see in myself. Eventually, though, I felt that I needed to work with other people as well. I wanted to grow up, something I felt (rightly or wrongly) I couldn't do while working with John." She also claimed that Hughes had "changed", in line with Showbiz CheatSheet.
Since maturing into her adulthood, Ringwald has become critical of some of her work with Hughes. During the #MeToo movement, Ringwald revisited her iconic movies, together with The Breakfast Club, and got an unsettling feeling. As a outcome, she decided to pen an essay for The New Yorker, entitled "What About 'The Breakfast Club?', to discuss her thoughts. According to the actress, the Hughes films that made her famous "could also be thought to be racist, misogynistic, and, now and then, homophobic."
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She further explained that Hughes frequently used expletives in the films, even though they were targeted towards teenagers, and created questionable characters based on stereotypes.
Additionally, she recognized that key scenes in some of her films were inappropriate and disrespectful towards women. To exemplify this, Ringwald highlighted how Bender inappropriately interacts with Claire, her character, in The Breakfast Club. "As I will be able to see now, Bender... harasses Claire all over the movie. When he isn't [inappropriately pursuing] her, he takes out his rage on her with vicious contempt, calling her 'pathetic,' mocking her as 'Queenie.' It's rejection that inspires his vitriol...He by no means apologizes for any of it, nevertheless, he will get the lady finally."
While Ringwald eventually became critical of some of her most famous work, she still looks back fondly on her time as a teenage actress. Her Hughes films shaped her career, and have become a part of American pop culture. She even admitted that she wished she had kept collaborating with Hughes after 1986. In a February 2024 NPR "Fresh Air" interview, Ringwald said that "I got typecast anyway, so I must've just stored working with him."
What Is Molly Ringwald's Legacy?
Molly Ringwald was a teen idol in the 1980s, and will be immortalized as "The Princess" in The Breakfast Club, amongst other notable roles. John Hughes made her a star and one of the vital well-known teenage ladies in America.
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While Ringwald eventually stopped working with Hughes, she made two other teen-themed films in the late 1980s. For Keeps and Fresh Horses did indeed typecast Ringwald. The actress would later star in films such as:
- King Lear
- Strike It Rich
- The Pick-Up Artist
- Betsy's Wedding
Ringwald's love of French culture eventually led her to become a French movie star in the 1990s. She would return to America and appear in popular TV shows including Riverdale and The Secret Life of the American Teenager. While Ringwald is a seasoned entertainer, her net worth is not as impressive as some fans would imagine.
Ringwald no doubt has had an extended and diverse profession. However, she is best remembered for her teenage films with John Hughes. Ringwald, as urged in her "Fresh Air" interview, recognizes this. While the actress may have conflicting feelings about her work with Hughes, she can take pride in being a part of some of the most iconic films of a generation. More importantly, she can find comfort and peace in publicly acknowledging her brutally honest and condemning feelings about Hughes' style of comedy.
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